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Tag: broadcast production

High Wide, Eighteen-Yard, Reverse: What Each Camera Actually Shows
Highlight Reels

High Wide, Eighteen-Yard, Reverse: What Each Camera Actually Shows

The standard sports broadcast camera positions and what only each one can show. Why parallax, long lenses and frame rate make replays disagree.

How Editors Finish a Four-Minute Package Before the Final Whistle
Highlight Reels

How Editors Finish a Four-Minute Package Before the Final Whistle

How sports highlights are edited while play continues: timecode logging, pre-marked angles, the audio bed and the ninety seconds after the whistle.

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